Who decides what should be included in a “canon” of works?
Is there one official canon? What
literature should be considered worthy? It seems that the process of defining a
canon of books would be as mysterious as the process of selecting members of
the electoral college. Like politics, the answers to these questions -if there
are any answers- are dramatically varied depending on who we ask.
What
began as a simple Google search quickly revealed that this is indeed a big,
ugly can of worms. The term “canon” inevitably overlaps with “classic.” Just
exploring the meanings of those words, or the arguments as to what different
parties believe they should mean, is beyond the scope of reasonable discussion,
at least here.
Oscar
Wilde has been quoted as saying, “It is what you read when you don’t have to
that determines what you will be when you can’t help it.” What do we want to
read? This is the subject of a 2009 article by Motoko Rich in The New
York Times, “A New Assignment: Pick Books You Like,” that was shared with
us by JJ Rivera. Teachers have been giving middle school students an
opportunity to choose what they read, while the debate rolls on as to whether
or not that is beneficial. Considering Oscar Wilde’s quote, the students in
this situation have a unique opportunity to make a statement about themselves
and allowing them to read what interests them is a refreshing approach.
Danielle
Flores shared an interesting article that introduced a very unique approach:
Have a reading list prepared specifically for you based on your interests, or
even issues in your life. The New Yorker article, “Can Reading Make You
Happier?” was written by Ceridwen Dovey. Dovey visited a literature specialist
who developed a personalized “canon” for her. This deserves much consideration;
our personal interests and needs are rarely taken into consideration by anyone
when reading is prescribed.
It
has been suggested that people –especially young people- can lose interest in
literature if they are force fed it -it is a shame for someone to be turned off
of Dickens or Hemmingway because of unpleasant (quite often academic)
circumstances. Another good approach is to introduce readers to authors in
small doses. I had a literature class as an undergraduate student which focused
on short stories, selected sections of larger texts, and poetry –it was a
positive experience.
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